A unique sequence of paintings illustrating the transformation of the maternal genitals from a murderous instrument into a symbol of security, beauty and transcendence.

The delivering vagina as a combination of prison, torture chamber and gigantic press.

The genitals seen as ugly and disgusting (the 'vagina of Kali').

In a more advanced stage of the birth process the emphasis shifts from the frightening aspects to the decorative, and to a smooth flow of cosmic energy through the organ.

The vaginal features are all but lost in a glorious peacock aureole.

The last painting of the series represents the final experience of the biological and spiritual birth. The subject appears in a peacock mandala framed by a halo of purifying fire; she is supported, protected and nourished by divine hands. The vagina of her mother, her own genitals and the sustaining hands of the goddess bear identical peacock ornaments.